If you’ve read my posts about motif development, you know where my husband’s phrase, “Chris, anything less than 13 iterations is gravy.’ comes from. And,
I was scrolling through Instagram when I saw EntwinedLoop‘s Tahesha the dragon-ess pattern on someone’s sweater (sorry, I didn’t keep track of the post, it
So, if you work a short row slide by working very short rows back and forth, increasing on the right and decreasing on the left,
On Lindsey’s Suggestion from last week, I decided I’d better go back to the source to see where the owl project has been drifting. Oddly
Encouraged by the recent interviews, I turned the intarsia owl pattern into a stranded colorwork one. I picked the brightest, happiest colors I could, because
I got to interview Erica Heusser, ericamay on Ravelry, @eheusserdesigns on instagram. My process for developing motifs goes like this: Pick a reference, chart the
I got to interview Rebecca Tsai, shinyfuzzy on ravelry, on Instagram, she’s also @shinyfuzzy. My process for developing motifs goes like this: Pick a reference,
All these interviews have made me ready to make the next owl. I decided to do the intarsia owl next because I found a chart
I got to interview Katya Gorbacheva, KatyaGKnits on Ravelry. Her website is http://katyusha-knitting.blogspot.com/, and her instagram is at @katyaknits76. I’ve linked all the photos of
I’ve written about my motif design process, read about Naomi Parkhurt’s process, wished I knew Barbara G Walker’s, and wanted to get back to my